My grandfather was the most elegant man I ever met. He was not conventionally handsome but
he truly believed in ‘dress to impress’ and he was impressive. All of his suits were bespoke and he
only wore French cuff shirts. Every day. Dressing down for him meant not
wearing a tie and a cashmere cardigan instead of a suit jacket and Keds or Converse One Stars (this was the era of Air Jordans that
he found unrecognizable as tennis shoes) instead of his leather wing tips. I
can see him now in linen suit pants and the finest cotton French cuff shirt
with cufflinks wandering around outside in Indiana August heat with a bucket of
varnish and a brush doing touch up maintenance to our log cabin. In the 1960’s
he converted his bedroom’s sleeping porch into an enormous walk-in closet to
hold all of his beautiful suits. After he passed away my grandmother refused to
let any of us clean out his closet or donate his clothes. She claimed she
didn’t need the space, or wasn’t ready to, or that if one of us did it we might
throw out something important. So it remained untouched. As the years passed
she became nervous about throwing away mail so into the floor space of
grandpa’s closet it went until it was waist high. Despite a marathon clean out
session once when she was at a doctor’s appointment the floor was again covered
in a matter of months. We gave up
on that closet and the door was closed almost like it never existed. When the
time finally came it took me over a week solid to go through his closet. So
many tiny scraps of paper. I did find treasures. They would surface as if by
clockwork always at the point where after hours of receipts and old newspaper
clippings I was on the verge of chucking everything into the recycling bin
sight unseen. It was days before the floor area was clear enough to open the
cupboard doors and drawers. I had such a clear memory of his beautiful clothes
and anticipated finding a treasure trove of the finest vintage men's shoes.
Instead I was greeted by what happens if a closet door remains unopened for 16
years. Everything was ruined. All those beautiful shoes playing host to mildew
and mold. Old stains surfacing on
the suits and rotting silk ties. It seemed an unfitting end for such a carefully collected
wardrobe. It was the shoes though that really got me. Beautiful leather molds
to the shape of the foot and the heels were worn just so. It reminded me of his
very particular reverse pigeon-toed walk. I could picture him striding out of
his office in Santa Monica or in the Kenyan bush –both times wearing
cuff-links. I looked at those once beautiful shoes and thought about how
unusual that the most elegant, most continental man I had ever known could have
been born on a farm so rural that he never was given a birth certificate. His story and life trajectory all
symbolized by the moldy shoes I held in my hands seemed so very American and
yet sadly seemingly belonging to a now vanished America. I wondered if today all of those
strangers would take a chance on a well presented, personable, smart but wholly
inexperienced and undereducated young man with a great idea? I put the shoes
down and took a photograph as a souvenir of my favorite pair and then placed them in
the black plastic Hefty trash bag with the rest of the elegant man’s once beautiful wardrobe.
The Hollywood Ending.
The happiest of lives and love stories all end tragically as the Hollywood Ending always ends decades before the actual end. Afterwards someone else comes along and decides what of your life is worth saving and what souvenirs will fabricate your history.
Wednesday 7 May 2014
Wednesday 23 April 2014
The perfect image
There are photographs that are great because they are so compositionally and aesthetically. There are portraits that are great because they are are flattering or seem to capture the spirit of the person portrayed and then there are photographs that are great because they are a souvenir of something you never want to forget. This portrait of my grandfather is the latter. It was most likely taken for a publication or some other purpose where 'Executive Portrait' was what had been requested. It isn't particularly flattering and captures about as much about his personality as a stock photo would have. It had even faded unevenly and blotchy over time. For some reason though (of all the images -some that fit the former criteria exactly) this was the one that was hanging above the television in her bedroom when he passed away and once someone passes away it somehow doesn't seem right to move their picture so above the television it stayed.
As with most people as my grandmother aged her world became smaller -save for long drives along Mulholland to greet the ocean in Malibu she spent most of her time in her bedroom sitting in her favorite chair facing the television. In the last years of her life she had dementia and the conversations would circle endlessly and could be very confusing and frustrating for her. On a good day though, when chatting with her, if my grandfather came up she would smile when remembering him, calling him her 'dear husband' and in one graceful motion she'd look at the faded, stiff portrait crookedly hanging above the television and blow it a kiss.
Wednesday 16 April 2014
The Eye of the Beholder
I watched as a five year old skipped through from the entry
hall and stopped dead in his tracks staring into the dark living room and
whisper to his mom, “Is this house haunted?” Looking at it from a five year
old’s perspective the living room looked like a cross between the Haunted
Mansion at Disneyland and The Adams Family, with its dark paneling, worn
antiques, light fixtures designed to look like candelabra and unhappy,
unattractive purchased ancestors peering out of heavy gilt frames. I still saw
the living room as where I would lie on my stomach eating Froot Loops and
watching Saturday morning cartoons on the 70’s RCA television expertly hidden
in a Louis XV commode. When I was cleaning out the house people kept asking me
if I was creeped out being alone there at night. The Ukrainian pool man even went so far as to assure me that if
I ever got scared he’d come over with his Beretta to protect me. Because my
memories were such happy ones I’d always felt very safe there. In fact despite
a cameraman stopping by and saying that I needed to rent it out as a location
for American Horror Story there was really only one thing in the whole house
that had always scared me and that I was happy to see leave the building.
Early in my childhood I had decided that a monumental
painting hanging above the staircase was a portrait of Dracula. The figure had
a long pointed bony finger that I was convinced was going to reach out of the
painting sometime when passing alone and grab me. Furthermore he would suck me
into the painting and into his scary dark world where I would be trapped for all
eternity. To avoid this fate I took the back stairs –for my entire childhood.
If I went up with someone I made sure they were between me and Dracula and I
never looked at it –ever. Even has a teenager I found myself always running the
last few stairs past it out of habit. It wasn’t until I heard a guest talking
about how much she liked the painting of the monk on the staircase that I
realized that it wasn’t Dracula but rather a monk receiving divine revelation.
I told this story to my grandmother and she laughed and laughed. “You know we
only bought that painting because it looked so much like our friend Marvin and
we thought that was so funny.” I kind of think it fit my grandparents perfectly
to have bought an enormous 18th century imposing painting because it
looked like one of their friends, they had always had mischievous sense of
humor. The eye of the beholder really is everything. There I had spent my whole
childhood convinced there was certain evil lurking on the stairs while each
time she passed she saw her friend Marvin and smiled. So too a house that
visitors thought looked haunted she must have wandered around late at night
turning off the lamps one by one surrounded by happy memories and felt very
safe.
Wednesday 9 April 2014
The Realist and The Dreamer
One can't help but look for signs when they're in mourning. This card would have just been a card never sent if taken out of context; if I had happened upon it months earlier when she was still alive. Late at night though when about to reach ones limit and frustrated at her inability to leave her affairs in order coming across this makes you soften and re-implants that lump back into your throat and reminds you of how lucky you were to have had her in your life. A realist would say she had someone particular in mind when she purchased this card in the 1960's, a dreamer would say it was me.
Wednesday 2 April 2014
Museum Quality
“Ugh” that would be the closest approximation
to what I uttered when after weeks of going through closets of unopened mail,
mildewed shoes and molting feathered hats I unearthed behind a layer of
clothing what must have once served as my grandmother’s gift closet. Boxes of
unopened ‘collectibles’ from The Franklin Mint paired with tat from the Ye Olde
Gift Shoppee in every small town she had passed through in her 98 years. On a
family holiday to Kenya when I was 11 she began to refer to the mounds of
tourist grade African wood carvings she was amassing as ‘Museum Quality’. She
extolled the talents of these unknown artisans. Defending them to the end she
would declare that she had seen something just like it in the Louvre. ‘Museum
Quality’ became shorthand in the family anytime we passed cheaply made
souvenirs or kitsch. Squished into
the pile of museum quality treasures I found this little gem that I had last
seen on a very hot and humid day in June of 1992. My grandfather a staunch believer in capitalism and the
American way decided that he needed to take his grandchildren to see his
favorite city of Hong Kong before it was handed back to communist China. The
humidity in Hong Kong in June is something to behold but despite this my
grandmother then in her 80’s decided to accompany me and my parents on a one
day tour of Macau and Guangzhou. In the afternoon of that very long, hot day my
grandmother decided that she would prefer to stay on the bus while we visited
Dr Sun Yat Sen’s home. She was worn out from the heat and the walking. You can
imagine our surprise when we rejoined the bus and she now had piles of
souvenirs. During our tour she had been wooed off the bus by some ‘darling,
giggling Chinese girls’ . Into their home my grandmother had been beckoned and
sat down with the family and had tea. They spoke no English and of course my
grandmother spoke no Mandarin or Cantonese but she said that they had gotten
along ‘marvelously’ with hand signals and had passed a ‘delightful’ time. She
then purchased some ‘exquisite’ embroidery and the family returned her to the
bus where she had been waiting for us to return from our bog-standard tour.
My grandfather may have believed in
capitalism but my grandmother practiced capitalism. We used to joke that her
souvenir purchases propped up developing economies abroad and sagging ones at
home. Looking back though that is a bit simplistic as whenever I accompanied
her on one of these outings she would take the time to admire the artist’s
talent and their creative vision. She would chat endlessly with gift shop
owners about their lives and their businesses and extol the merits of optimism.
She wasn’t simply a consumer she was a supporter. I look at this tacky kitten
embroidery and imagine the scene of an 80-ish American woman in a Nancy
Reagan-esque suit, heels and her Nancy Reagan-esque hair, in the heat and humidity
of the Southern Chinese Summer sitting with a Chinese family, in a Chinese home,
drinking tea and laughing. And I cannot help but marvel at the strength of her
charming wordless diplomacy.
Wednesday 26 March 2014
The Love Boat
“It is just so sad.”
“I am just so sad.”
I spoke into the portable phone as I wandered around our Grandparent’s home from room to room still not quite believing that the day
everyone knows is inevitable had actually come.
My brother, Flint listening on the other end of the line finally
replied,
“No, I get it.”
“I mean all I want to do is go back in time to lying on the
carpet watching The Love Boat with them while doing water colors on Grandpa’s
cardboard shirt inserts…”
I don’t remember what else he said because I was off
remembering the feel of the carpet, our Grandmother rooting around in our
Grandfather’s closet for more cardboard and my frustration when the colors got
muddied. Over the next few weeks sandwiched between old magazines and in the
back of drawers I found them one by one and each time The Love Boat theme song
would play in my head.
Wednesday 19 March 2014
His and Hers
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